The point was that performance and the performance-making process is experienced differently and uniquely by each individual. How then can we document something that is experienced differently by individuals? And how do we account for the sensual experience of something? Maybe we need to include different accounts from different perspectives. Maybe we need to document in many different ways (recording, writing, photographing, drawing).
Documenting Performance -- Performance Document TTP October 15
Friday, 23 October 2015
A Collaborative Document of the Documenting Performance Lecture - The tree outside the window and phenomenology
Tuesday, 20 October 2015
Monday, 19 October 2015
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